19 Comments
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Peter Blasevick's avatar

Beatductions is fantastic!

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JT's avatar

François famously influenced Pablo’s paintings. When asked if he had an influence on her art he said, oh no, she had a much greater influence on me. I recently scored an old book of François Gilot’s paintings of Greek gods, and the text was written by, guess who, Ariana Huffington of Huffington Post fame. A steal, used online. Wonderful job, marrying music and art, a very enjoyable post.

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Peter Blasevick's avatar

Wow that book was a get! Thanks so much for reading, glad you enjoyed!!

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Kate Whelan's avatar

Pablo to Jonas is a wow!

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Peter Blasevick's avatar

No kidding!!

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Thea Wood's avatar

Hypnotic. Love it and love the Paloma inspiration.

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Peter Blasevick's avatar

Thank you so much! Appreciate you checking it out!

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Kevin Alexander's avatar

“I need the composition of these reductions to be very separate and delineated when I am envisioning the music. Does that make sense to anyone besides me?”

It makes complete sense to me!

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Peter Blasevick's avatar

Whew!

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Jonathan Potter's avatar

Me too!

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Minor Fossil's avatar

Where do we find hats like that? Awesome beat too!

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Peter Blasevick's avatar

Well thank you sir. We all need cool hats.

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Jason McBride's avatar

[It’s the guitar. Or maybe the sweet feathery hat.] For me, it's definitely the hat--and also the guitar. But that hat! I love this groove and it was fun learning a bit more about your mysterious past as a swingman!

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Peter Blasevick's avatar

I like when people call me mysterious.

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Fog Chaser's avatar

Delightful, Peter — the production on this one is tasty. Great work as always!

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Peter Blasevick's avatar

Thank you sir!!

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Steve Goldberg's avatar

Love everything about this. The inspiration train, of course (which we are all passengers--or are we the caboose?), but especially the muted (gated?) bass which sounds like a tuba in my headphones.

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Peter Blasevick's avatar

A tuba! That’s great. I wanted it to soft and kinda blobby.

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Jonathan Potter's avatar

I love the educational component of these beatductions and this one’s knocked my brain’s socks off. Also the explanation of a fascinating component of your process linking the reduction to the beat and thereby having to exclude or differently delineate elements of the reduction in order to facilitate the beat. Amazing and yes it totally clicked with me. And last but not least the bluesy riff. So great as usual

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